December 28th, 2011
NT Audio’s premier quality control theater in Santa Monica was the site this year for best sound judging for the 2011 Hollywood Post Alliance annual awards show. This was the third year the HPA has requested the theater for this critical sound judging.
Judges listened and judged three categories:
Outstanding Sound: Feature Film – Television – Commercial
NT’s own Quality Control Audio Technician, Allan Bond was one of the judges.
Bond notes that music and sound effects are playing a larger role in production; particularly in commercials. “Sound mixers are taking advantage of what the 5.1 medium offers and are complementing the visual effects with more sophisticated audio.”
The NT Audio QC theater is designed as a “reference room”. It was built to SMPTE Sound Committee specifications and is used routinely to quality check the final soundtracks for feature films.
The Hollywood Post Alliance (HPA) serves the professional community of businesses and individuals who provide expertise, support, tools and the infrastructure for the creation and finishing of motion pictures, television, commercials, digital media and other dynamic media content.
A complete list of winners and nominees can be found at the HPA website: www.hpaonline.com
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February 2nd, 2011
NT recently completed synced dailies and initial color grading for the new independent film, All Together Now, that wrapped shooting in December. The mission was to create a workflow maximizing the independent filmmaker’s budget and avoiding unnecessary expenses.
To stay on budget, the super 16mm project needed to maintain a low shooting ratio under challenging conditions. The documentary approach to the story of a group of young people attending a nighttime rock concert in the middle of the woods was shot primarily on a soundstage with a set dressed for night in an isolated wooded location with very low light levels.
The challenge in creating dallies was to maximize exposure without increasing grain and noise. NT developed a custom filter and look-up table giving the client images that maintained the director’s vision of a dark ominous atmosphere while providing the necessary technical spec’s.
NT’s DI team met with director, Alexander Tavitian, cinematographer, Zoran Popic and producer, Michael Younesi several times prior to filming to discuss the requirements, desired look and location issues. NT provided charts for camera tests and reviewed the results with the film crew in our theater to establish a workable practice.
We always recommend and make ourselves available for pre-production meetings, planning and film tests. We can not over emphasize the importance of involving post at the onset of a project.
NT delivered both DVD’s and digital files to editorial. The project is now in editing and is scheduled to return for compositing and final color grading later this Spring.
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February 2nd, 2011
Many customers we talk to find it interesting to hear stories related to NT. We think it might interest everyone. Since we all are busy executives, we thought it would be a good idea to stay in touch via a blog and update you on NT ‘stories’. I hope you do not find this intrusive. No, we’re not going to spam you. No way. Since none of us are anywhere close to prolific writers, there is no risk in staying tuned to news from NT and being inundated with it. On the other hand the stories might not interest you and that’s just fine. Let us know. If you are curious about something you think we ought to address, let us know that, too. I urge you to ask questions, challenge the blogs. That’ll make our job a bit easier.
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June 11th, 2010
A new third generation optical soundtrack camera developed by NT takes Dolby SRD digital data to a whole new level with improved quality, extended print life, and cost savings for end-users. The camera was designed, engineered and built in-house by NT with the aim to get a Dolby DQI of 90 always.
“Implementing new technologies, developing improvements, this is what keeps NT at the forefront”, says Peter Bulcke, NT COO. “We are constantly striving for excellence in all product and service areas.”
NT’s latest version of their highly successful optical sound camera series exposes the Dolby® SRD digital data with a proprietary process that is more precise than previous methods. This procedure increases the Dolby® DQI score during soundtrack playback resulting in fewer drop outs and reversions to the analog track.
The new process offers cost saving benefits to end users because higher DQI scores can help extended a release print’s life by avoiding replacement due to read errors. As a consequence the audience will only seldom experience the reversion to analog.
Tags: Dolby® SRD Digital Data, DQI, Proprietary Optical Sound Camera
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June 11th, 2010
As film making technology evolves so do the demands and requirements for preservation and protection. “Our customers are asking for a YCM process done in a timely manner”, says Peter Bulcke, NT COO. “Using our expertise in black and white film processing we developed a workflow maximizing the benefits of the digital intermediate process with the long term storage properties of black and white film”.
The NT digital YCM process takes the DI data and digitally splits it out to separate YCM files. These matched and registered separations are then printed at the same resolution as the original data source onto three individual black and white film separations. The resulting B&W film is processed using archival quality standards and specifications. YCM separation masters won’t fade and offer high resolution when properly stored.
Shawn Jones, NT CTO further explains the process. “We’re using an advanced digital technology to generate the YCM color separations. Our method records the digital data directly to YCM color separation masters. We don’t use the Digital Intermediate negative as the source. Our resulting product is much closer to the original data”.
NT also offers a proof of performance demonstration by performing a recombined test. The three YCM’s are individually printed to a color check print. This check print should match the answer print as produced at the conclusion of the DI process. Digital YCM separations are superior to traditional contact printing which can produce film movement. Plus, YCM’s produced from data have no dust, dirt, or scratches.
In the near future NT will also be performing traditional YCM processing from original camera negative. All steps of exposing the film, producing a dupe negative and B&W processing will be performed in house. NT can also preserve sound elements.
For more information regarding YCM separations and pricing please contact:
Gary Galvin
gary@ntpicso.com
(323) 957-4200
1400 North Cahuenga Blvd.
Hollywood, CA 90028
Tags: Peter Bulcke, Shawn Jones, YCM Separations
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June 11th, 2010
The latest innovation from NT’s award-winning engineers is our new digital audio router designed to reproduce an audio experience closer than ever to the master mixed elements.
Completely designed, engineered and built in-house by NT engineers, the new router unit provides improved accuracy and fidelity for our clients. Drifting, inherent to all things analog, has been eliminated because the router is based on new digital technology. This reduces the requirement for daily calibration and maintains quality throughout the day, improving quality control, saving time and money.
“If there is a way to improve our service then we do the necessary research and development in-house”, says Peter Bulcke, COO, reflecting NT’s commitment to quality customer service.
The custom-built router is already operational in NT’s premier QC Theater in Santa Monica and will soon be installed in all NT audio rooms making it easier for customers to QC their film prints, audio and video elements.
Tags: Digital Audio Router, Quality Control
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